For a long time I've wanted to crochet a rag rug from fabric strips. It was just an idea in the back of my head, until I read this tutorial by Amanda Jean at Crazy Mom Quilts. It was easy to make and I love how colorful and random it is and how 'homespun' it looks.
I've never used yarn this bulky or a hook this big (size P), so I found it really hard to get my crochet groove on, but I'll get better and quicker with practice. Of course I want to make more!
And man, oh man, does this use up the scraps! All my scrap 'strings' are history, and I had to cut lots more from my stash. This rug is a perfect way to make some of those fabrics you don't like anymore go away--you know, the ones you regret buying, but you paid good money for them, darn it. Yeah, those fabrics. Let's not speak of them, shall we? Let's just cut them up into strips for pretty rugs and pretend that's what we meant to do with them all along ;)
There are lots of flowers in there, some fish, some Christmas trees, some Spider-Man (don't ask)...
"You made this for me, right?"
During photos, it quickly became the place to be.
It measures 22"x 29", and now lives by the side of the bed. Feels so nice under foot.
Have a good weekend!
Linked up with Crazy Mom Quilts for Finish It Up Friday.
Showing posts with label Color. Show all posts
Showing posts with label Color. Show all posts
Thursday, June 19, 2014
Wednesday, May 14, 2014
Did Someone Say Fabric Shopping?
Tote bags were some of the first things I ever designed. They're fast and fun to make, so useful and have so many creative possibilities. I used this tutorial for the basic technique; from there I've gone on to design purses, cases and pouches of all sorts and styles. My latest is this simple shopping bag, made in bright, cheerful colors and prints.
They're made of quilting cottons and not interlined, so they're very lightweight and packable; they're not heavy-duty enough for major groceries, but great for shopping at gift-shops, craft shows, etc...and perfect to take to fabric stores (they've been put to that test already, of course ;).
I designed it based on my tote bag measurements. I just shortened and widened the handles, sewed them on to the far sides of the bag, and sewed them in half at the top, to make them easier to hold onto. The bottoms are boxed, so the bags hold a lot.
I seem to be really into this red and bright-blue combo lately.
The brighter and wilder they are, the more fun they are! The first two are for me; the next two I made for my mom.
I hope you're having a good week!
They're made of quilting cottons and not interlined, so they're very lightweight and packable; they're not heavy-duty enough for major groceries, but great for shopping at gift-shops, craft shows, etc...and perfect to take to fabric stores (they've been put to that test already, of course ;).
I designed it based on my tote bag measurements. I just shortened and widened the handles, sewed them on to the far sides of the bag, and sewed them in half at the top, to make them easier to hold onto. The bottoms are boxed, so the bags hold a lot.
I seem to be really into this red and bright-blue combo lately.
I hope you're having a good week!
Monday, April 21, 2014
Gwen Marston: Quilt Goddess
Last Thursday we had the pleasure of seeing the exhibit "Gwen Marston: Contemporary Quilts" at the Dennos Museum Center in Traverse City, Michigan. As I've mentioned before , Gwen is my biggest inspiration. Her 'liberated' approach to quilt design is so freeing and fun, and is how I most love to work. "Liberated Quiltmaking II" is one of my first and favorite quilt books; I re-read it often and those right brain gears just start turning.
I am amazed at how someone can be so creative, varied and prolific! Her quilt styles range from classically traditional patterns with reproduction Civil War fabrics, to the most modern, abstract designs in solids. The quilts in this exhibit were her modern ones, almost exclusively in solids.
So come see some of her quilts with me!
Liberated Log Cabin with String Border (2009, see its photo and description in Liberated Quiltmaking II. But here's a mystery: in the book, it's pictured 'upside down' from the way it was shown in the museum, yet it's hung by a hanging sleeve...so which is the right way up?)
This is my favorite of Gwen's quilts.
Small Study 37 (2010) and Abstraction (2012)
The small quilt is her fabric 'sketch' of her design for the larger quilt.
More small studies
Mexican Hat Dance (2008, Liberated Quiltmaking II)
This one makes me all kinds of happy.
Strippy II (2011)
Medallion in Solids (2007, Liberated Medallion Quilts)
Liberated Log Cabin (2007)
So much quilt love for this one. While this quilt is totally modern, she made her log cabin blocks with the traditional red centers, symbolizing the hearth of the home.
Liberated Log cabin with Applique Border (2008)
I love brights, but I really like the combination of these softer colors.
Framed Red Squares (2007)
High Desert Country III (2008)
These colors remind me of a wonderful road trip to the southwest, especially Utah.
Medallion with Sawtooth Border (2008)
Don't miss that lovely sliver of bright lavender.
Red on Red (2013)
Look at all those juicy reds...mmmm.
Red Square VI (2008)
I hope you enjoyed seeing Gwen Marston's quilts at the museum. These are only some that are on display, through April 27. Thanks for letting me share my excitement with you! I left with so many new quilt ideas, my head kind of hurt, but in a good way. You know, that headache you get when you're on creative overload.
It's is a little off-topic, but in case you haven't seen enough color, this was happening at the museum at the same time: Tibetan monks painting a sand mandala.
I could have stared at it for hours, just trying to take in all the detail and color and texture. Absolutely stunning. Wouldn't it make a gorgeous applique'd wall quilt?! You can read more about their mandala sand painting here.
Have a good week!
I am amazed at how someone can be so creative, varied and prolific! Her quilt styles range from classically traditional patterns with reproduction Civil War fabrics, to the most modern, abstract designs in solids. The quilts in this exhibit were her modern ones, almost exclusively in solids.
So come see some of her quilts with me!
Liberated Log Cabin with String Border (2009, see its photo and description in Liberated Quiltmaking II. But here's a mystery: in the book, it's pictured 'upside down' from the way it was shown in the museum, yet it's hung by a hanging sleeve...so which is the right way up?)
This is my favorite of Gwen's quilts.
Small Study 37 (2010) and Abstraction (2012)
The small quilt is her fabric 'sketch' of her design for the larger quilt.
More small studies
Mexican Hat Dance (2008, Liberated Quiltmaking II)
This one makes me all kinds of happy.
Strippy II (2011)
Medallion in Solids (2007, Liberated Medallion Quilts)
Liberated Log Cabin (2007)
So much quilt love for this one. While this quilt is totally modern, she made her log cabin blocks with the traditional red centers, symbolizing the hearth of the home.
Liberated Log cabin with Applique Border (2008)
I love brights, but I really like the combination of these softer colors.
Framed Red Squares (2007)
High Desert Country III (2008)
These colors remind me of a wonderful road trip to the southwest, especially Utah.
Medallion with Sawtooth Border (2008)
Don't miss that lovely sliver of bright lavender.
Red on Red (2013)
Look at all those juicy reds...mmmm.
Red Square VI (2008)
I hope you enjoyed seeing Gwen Marston's quilts at the museum. These are only some that are on display, through April 27. Thanks for letting me share my excitement with you! I left with so many new quilt ideas, my head kind of hurt, but in a good way. You know, that headache you get when you're on creative overload.
It's is a little off-topic, but in case you haven't seen enough color, this was happening at the museum at the same time: Tibetan monks painting a sand mandala.
Have a good week!
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