Merry and Bright

I have some Christmas sewing I'd like to share with you!

I made a Christmas 'stamps' mini quilt. These little fabric stamps are sweet as can be, and very easy to make--you just need some scraps, plain white fabric and a bit of fusible web. The tutorial by nanaCompany is here.

Rather than quilt the whole thing in an all-over design, I used the stitching around the image and the white pinked edge as my quilting. The two rows of stitches around all the stamps hold the layers together just fine. It lets the stamp images stand out more...and truth is, I just couldn't bear to sew through Santa's cute little face :)

It didn't turn out too badly for a first try. I'd like to do another, with pretty feedsack fabrics, to have out all year.

I pulled out all my happy red and green and Christmas-y scraps and pieced a pair of pillow covers for the couch. They're hand-quilted with red embroidery floss, and have a simple envelope-style back, in solid red.

 They're so bright and cheerful!

 More cute retro Santas.

And some more sweet little cottages (like these I made for fall; a link to the free tutorial is in that post).

"'Twas the night before Christmas, when all through the house..."

"The children were nestled all snug in their beds..."

"Happy Christmas to all, and to all a good night."

I so enjoy Christmas sewing, but I'm done...and ready to move on to some quilts!

And now if I may, a couple cute holiday kitty photos:
This one from two years ago shows the typical Christmas shenanigans around here. All those ribbons and bows were in the bag when I left the room.

You better not pout, Gracie...

Thank you, friends, for reading and for leaving your comments, I have appreciated each and every one! I wish you all a very Merry and Blessed Christmas, Happy Holidays, and a 

happy and healthy New Year!

Lynn

Linked up to Finish it up Friday

Counting Cards

Twenty-two, to be exact. I like their random scraps, fraying edges and crazy 'quilting'.

(Not all are shown above, some had already gone to good homes.)

I sewed the scraps to thin white cardstock, trimmed the piece, then glued it to heavy textured cardstock.
If you want to make some of your own, you can find specifics in the book Denyse Schmidt Quilts.

 Many of them were made with certain recipients in mind.

Making these was a lot of fun, and as you can see, it was hard to know when to stop! I'm set for cards for a long time...but that doesn't mean I won't be tempted to make more soon. Christmas is coming ;)

Thanks for reading, friends!

Lynn

Linked up with Finish It Up Friday.

Took You Long Enough

After a little more than a year (!?), my Zephyr quilt top is finished! That's okay that it took so long, I was in no hurry. These improv-style log cabin blocks are so much fun to sew, but can be a little time consuming. They may look totally random, but I give a bit of thought to what fabric I'll add next; I like to have a good balance of patterns and colors. So I'd make a few here and there in between other projects, when I just wanted to play.

I'd originally planned to make smaller scrap blocks, shown above, and surround each with yellow, green and blue solids...but at some point I decided to go full-on scrappy. Sometimes when you're adding 'walls' to your improv log cabins, you just don't want to stop ;)

This was my work area (a.k.a. kitchen table). I was surrounded by lots and lots of (mostly) freehand-cut strips and scraps. And see that little ironing board? Handiest thing I've ever made! It's a wooden tv tray, padded and covered to make a portable ironing board (click here for the tutorial). For any kind of block that needs to be pressed after every seam...I just turn around and there it is.

It's taken so long (I even had a sewing machine upgrade in the meantime), but all those strips and scraps have turned into this queen-size quilt top:

Each finished block measured 12 1/2" x 12 1/2", 56 blocks with a scrap border. It's busy, but the palette is limited, so that keeps it from being too crazy. I wish I had taken a full picture of it, but it's turned way too gray and rainy here, so I'll show you the whole thing when it's all quilted and bound.

Along the way, I had a few roadblocks:

She's like a sweet, loving Godzilla, laying waste to my work area.

The destruction. There's one of the poor blocks, jammed up against my sewing machine.

Or I find someone taking a bath on it. Clearly she was as excited about the top being finished as I was. Normally these kinds of antics are not tolerated, but they're smart enough to know 1. Get into position quickly and 2. Look as adorable as possible.
Sometimes I just sigh and get the camera.

I'm going to machine quilt it. It'll be only the second quilt I'll have machine quilted, and the first full-size quilt...wish me luck! Now let's hope it doesn't take another year :/

Have a happy weekend!

Linked up with Crazy Mom Quilts for Finish It Up Friday

Ode to Joy Quilt

When I saw this little cross wall quilt , I wanted to make one, too. It's made with lovely Liberty of London fabrics--so many pretty, delicate florals. But the cost of Liberty fabrics means they, sadly, aren't a part of my stash. *sigh* But that's okay, I have plenty of pretties in my scrap baskets. I used a variety of colors and prints in bright, saturated jewel tones.

The colors just glow in the morning light.

These little blocks are really fun and quick to make. You can find directions for this slice-and-insert technique--and examples from simple to complex--in "Quilting Modern"  (one of my favorite quilting books) by Jacquie Gering and Katie Pederson , but this basic block is simple to figure out by looking at it. Just make sure your background square is ~1/2" larger than you want your final block to be, so you have a little leeway when squaring up your block. I squared my blocks to 5". I definitely see more of these cross blocks in my future :) Likely with colored solids or subtle prints for the background, like this one.

I prefer a wider binding (this one is 1/2" wide), but I didn't want to cover up any more of the outer edge crosses than I had to, so I added a narrow white border. The backing/binding is a Robert Kaufman print called "The Enchanted Desert" that looks like painted tiles. I bought a boatload of it some years ago at a big discount, and I'm so glad I did; I've used it in many projects.

I quilted it with wavy intersecting lines, to soften all the straight lines and angles of the crosses. This is the first quilt I've machine quilted...and I have mixed feelings about that. I love how it turned out! It looks good, the machine quilting went smoothly, it was SO much faster, and my wrist has been hurting lately from quilting and sewing (and gardening, etc.). But it feels stiffer, it doesn't have that wonderful drape and softness from being handled so much during hand-quilting, or that tactile look you can only get from hand stitches. Washing it would make it softer, and it's a wall quilt, so the hand (how fabric feels) doesn't matter as much...but still, I miss the hand-quilted look and texture, and the time spent with it draped over my lap. So, I'm torn.

This little quilt is one of my favorites. It measures 30"x 43", and will hang in the bedroom over the bed. The crosses remind me of colorful birds in flight. What beautiful things to wake up to!

Gwen Marston: Quilt Goddess

Last Thursday we had the pleasure of seeing the exhibit "Gwen Marston: Contemporary Quilts" at the Dennos Museum Center in Traverse City, Michigan. As I've mentioned before , Gwen is my biggest inspiration. Her 'liberated' approach to quilt design is so freeing and fun, and is how I most love to work. "Liberated Quiltmaking II" is one of my first and favorite quilt books; I re-read it often and those right brain gears just start turning.
I am amazed at how someone can be so creative, varied and prolific! Her quilt styles range from classically traditional patterns with reproduction Civil War fabrics, to the most modern, abstract designs in solids. The quilts in this exhibit were her modern ones, almost exclusively in solids.

So come see some of her quilts with me!

Liberated Log Cabin with String Border (2009, see its photo and description in Liberated Quiltmaking II. But here's a mystery: in the book, it's pictured 'upside down' from the way it was shown in the museum, yet it's hung by a hanging sleeve...so which is the right way up?)
This is my favorite of Gwen's quilts.

Small Study 37 (2010) and Abstraction (2012)
The small quilt is her fabric 'sketch' of her design for the larger quilt.

More small studies

Mexican Hat Dance (2008, Liberated Quiltmaking II)
This one makes me all kinds of happy.

Strippy II (2011)

Medallion in Solids (2007, Liberated Medallion Quilts)

Liberated Log Cabin (2007)
So much quilt love for this one. While this quilt is totally modern, she made her log cabin blocks with the traditional red centers, symbolizing the hearth of the home.

Liberated Log cabin with Applique Border (2008)
I love brights, but I really like the combination of these softer colors.

Framed Red Squares (2007)

High Desert Country III (2008)
These colors remind me of a wonderful road trip to the southwest, especially Utah.

Medallion with Sawtooth Border (2008)
Don't miss that lovely sliver of bright lavender.

Red on Red (2013)
Look at all those juicy reds...mmmm.

Red Square VI (2008)

I hope you enjoyed seeing Gwen Marston's quilts at the museum. These are only some that are on display, through April 27. Thanks for letting me share my excitement with you! I left with so many new quilt ideas, my head kind of hurt, but in a good way. You know, that headache you get when you're on creative overload.

It's is a little off-topic, but in case you haven't seen enough color, this was happening at the museum at the same time: Tibetan monks painting a sand mandala.

I could have stared at it for hours, just trying to take in all the detail and color and texture. Absolutely stunning. Wouldn't it make a gorgeous applique'd wall quilt?! You can read more about their mandala sand painting here.

Have a good week!